LONDON.
Do Ho Suh’s one-to-one scale translucent fabric structures give form to ideas about migration, transience and shifting identities. These ideas are further conveyed in his Hub works – transitory, connecting spaces between rooms.
Inspired by his peripatetic life, Do Ho Suh has long ruminated on the idea of home as both a physical structure and a lived experience, the boundaries of identity and the connection between the individual and the group across global cultures. Meticulously replicating the architecture of the places in which he has lived and worked, such as his childhood home and Western apartments and studios, Suh’s one-to-one scale translucent fabric structures give form to ideas about migration, transience and shifting identities. These ideas are further conveyed in his Hub works, where transitory, connecting spaces between rooms, such as vestibules and corridors, speak metaphorically about movement between cultures and the blurring of public and private, as well as reflecting on the passage of the artist’s own life, and the experience of a person who has developed roots in multiple countries. “I see life as a passageway, with no fixed beginning or destination,” says Suh. “We tend to focus on the destination all the time and forget about the in-between spaces. But without these mundane spaces that nobody really pays attention to, these grey areas, one cannot get from point a to point b.”
Photos: Victoria Miro Gallery.
